Alternative heavy-hitters, Underoath, will be performing at the Pier Six Pavilion in Baltimore Maryland on July 29 as part of their summer ’23 co-headlining tour with The Ghost Inside.
With support from We Came As Romans and Better Lovers, this aggressive mix of grit and melody between the four bands promises an exciting show. “This tour has been a long time in the making and I couldn’t be more pumped,” said Underoath. “The fact that we’ve never toured with any of these bands before is wild but the fact that we’re all on one tour is making me count down the day till it starts. Insane summer ahead!”
Since their 2022 album, Voyeurist, the band has released a string of singles including “Let Go”, “Sweet Dream”, and “I Can’t Take It”. The song “Let Go” has already received widespread acclaim along with both an acoustic treatment and a new music video released in the last few months. Be sure to brush up on their possible setlist gems before seeing them live next month!
Tickets for Underoath’s Summer Tour ’23 are available now on Live Nation.
Charlie Maybee is a dancer, musician, educator, and writer based in Charleston, South Carolina who currently teaches with the Dance Program at the College of Charleston. His primary work as an artist is with his performing collective, Polymath Performance Project, through which he makes interdisciplinary performance art that centers tap dance as the primary medium of expression and research. He also currently plays rhythm guitar for the Charleston-based punk band, Anergy, and releases music as a solo artist under the name Nox Eterna.
When D.C. venues were ready to reopen after COVID-19, indie pop duo GLOSSER was ready to perform. The two, Riley Fanning and Corbin Sheehan, formed the band pre-COVID out of a shared aesthetic vision and passion for music storytelling.
Their first album *DOWNER* was released in January 2023, however they have decided to release a [__deluxe version__](https://open.spotify.com/album/0KLORhtj3ohV4FtbdjoKu5?si=iNZX9fiZSm2M6V8pRdBkow) exactly one year later containing four new tracks – two remixes, a reimagined song, and a cover – that they are hoping will give it a second life and allow them to continue performing around the area.
The band explains that they have spent many shows opening for touring bands that traveled through D.C. “We made music and then venues started to open again,” Sheehan says. Rather than having the “typical grungy” D.C. band experience, they uniquely went straight to club shows.