Sometimes music can be transformative for both the listener and the one creating it. With Maryen Cairns, her seventh studio album, ANEW, caused a shift in her core song writing process that seemed to flow with ease like water down a stream. “It was like a switch clicked inside my head and suddenly I was creating music from a new perspective, writing sidewards, out of the corner of my eye” she says.
The album is aptly named as it marks a moment of change for Cairns that spurred from a move to the island of Guernsey (off the coast of Normandy). There is a shift from a drama-based approach to something introspective and moody, but with a sense of uplift that rests upon gentle guitars and piano. Unassertive percussion keeps the pulse moving along, but leaves plenty of space for the breathy vocals and harmonies to float on top if it.
There’s a folky spirit that runs through the albums core that feels more bare, vulnerable, and ready for experience something new. It’s easy to imagine yourself listening to this while laying in a hammock or floating down a river. There’s an undeniable flow that surrenders to the wind, allowing itself to go where it may. “This feels like the first music I’ve ever made…” Cairns says. “I’m unmasked as an artist. I’m naked. Here I am anew.”
ANEW is available now on major streaming platforms like Spotify and Apple Music. Find “Change in the Weather” and more excellent music on the Alchemical Records Multigenere Mixture playlist on Spotify.
Charlie Maybee is a dancer, musician, educator, and writer based in Charleston, South Carolina who currently teaches with the Dance Program at the College of Charleston. His primary work as an artist is with his performing collective, Polymath Performance Project, through which he makes interdisciplinary performance art that centers tap dance as the primary medium of expression and research. He also currently plays rhythm guitar for the Charleston-based punk band, Anergy, and releases music as a solo artist under the name Nox Eterna.
When D.C. venues were ready to reopen after COVID-19, indie pop duo GLOSSER was ready to perform. The two, Riley Fanning and Corbin Sheehan, formed the band pre-COVID out of a shared aesthetic vision and passion for music storytelling.
Their first album *DOWNER* was released in January 2023, however they have decided to release a [__deluxe version__](https://open.spotify.com/album/0KLORhtj3ohV4FtbdjoKu5?si=iNZX9fiZSm2M6V8pRdBkow) exactly one year later containing four new tracks – two remixes, a reimagined song, and a cover – that they are hoping will give it a second life and allow them to continue performing around the area.
The band explains that they have spent many shows opening for touring bands that traveled through D.C. “We made music and then venues started to open again,” Sheehan says. Rather than having the “typical grungy” D.C. band experience, they uniquely went straight to club shows.