“Sins,” is the electric new single from indie-punk-rocker M.A.G.S.
M.A.G.S. hails from Los Angeles’ diverse music scene and draws inspiration from his total disregard for traditional subgenre limitations. Having experimented in the past with heavy metal, lo-fi, folk, and punk rock on his self-titled debut project, “Destroyer” will also represent a coalition of contrasting ideas and sonics.
Following the release of punchy lead single “Elephant,” M.A.G.S. has provided fans with another genre-bending taste of his sophomore studio album. The headbanger of a track bleeds influence from a plethora of differing subgenres. His timeless indie rock voice is paired with thrashing drums reminiscent of hardcore punk. Just as you think “Sins” has slowed down and dissolved into sunny alternative, M.A.G.S. throws in a yell or a raunchy guitar solo.
The song’s subject matter matches its instrumentation’s fervent, relentless nature. Far from just another “what’s the meaning of life?” song, M.A.G.S. comes to terms with the fact that there’s no real answer to that question. “I take a step back and look at all my work,” M.A.G.S. confesses, “I know I’m gonna hurt myself.” “Sins” is the artist’s attempt to quit ruminating on the past and how it’s affected his present life.
“Take my hand / Because I’m losing control,” M.A.G.S. laments after a screaming session. The track cools down as he sings “I hear you calling my name / To which I have no reply / It’s so much easier living in my head.” The song then once again swells into angstier, desperate annunciations of these same lyrics. A full kaleidoscope of M.A.G.S.’S emotions is on display here, in a song that allows him to showcase each side of them.
“Sins” is available now on major streaming platforms like YouTube, Spotify, Apple Music, and SoundCloud.
Cameron Landry is a former journalism student at The George Washington University, and a current writer for Alchemical Records. He’s shared a passion for music journalism for several years, and focused much of his reporting as an undergraduate on how independent music venues have been impacted by the COVID-19 pandemic. Based in Washington, DC, Cameron can often be found at local concerts (and record stores!) in the district.
Subscribe to Alchemical Records today to support our efforts online and in print.
Join the Alchemical Records Street Team to promote these and other artists, live music, and music community organizations & events while receiving cool perks from artists throughout the region.
Recent Articles Aria Velz is a director, TikToker, and Lesbian Media Enthusiast based in the D.C. area. On November 2nd, she sat down with me
More to Watch D.C. locals Dot Dash compile 16 of the band’s best tracks, and re-releases them with Country Mile Records. Terry Banks (lead vocalist
Queer duo Witch Weather discuss new album and the influence of the DMV on their sound.
Philadelphia-based queer punks Witch Weather have a message for anyone who feels hopeless and worthless: you are not alone. With an irresistible sound that draws from 80’s goth and lo-fi grunge, the indie duo wears their heart on their sleeve, giving voice to complex emotions that many would opt to suppress in the recesses of their minds.
Join Alchemical Records as they connect with Witch Weather to discuss the band’s new self-titled album, their search for a sense of belonging as members of the queer community, the important element that keeps the duo’s creative bond strong, and the influence of the DMV on their sound.
Alchemical Records is a Washington, D.C. based music publication. We cover the Washington, D.C., Baltimore and Richmond, VA metro area music scenes, including band interviews, articles about your favorite musicians, new music and concert dates.
