Play (Lists)

Fellowcraft + The Warhawks+ Higher Numbers at Pie Shop

Feb 7, 7:30 PM

Doors at 7:30 | Show at 8 Advance $10 | Day of $12 | 21+

Fellowcraft is an Indie-Rock band from Washington DC. They’re also really, really nice guys. Their first record, Get Up Young Phoenix, was released worldwide on New Years Day, 2016. Their third release and most recent record, aptly titled Three, was released in September of 2018. Its first single, “Hold the Line,” won the Washington Area Music Award for Best Rock Song of 2019. Their latest single, “Glimmer of Faith,” produced by Tonio Ruiz, was released worldwide August 30, 2019. They hope to complete the newest record in the winter of 2020. They’ve played almost everywhere in DC; the Tree House Lounge, the Black Cat, DC9, Rock and Roll Hotel, Union Stage, the Pie Shop and the hallowed 9:30 Club. They’ve also graced the stage at the legendary El Plaza Condesa, in Mexico City.

The Warhawks – Comprised of Matt Orlando, Tom Lipski, and Bilodeau brothers John and Pat, The Warhawks are a dynamic, blue-collared, indie rock outfit from Gloucester City, NJ. Their debut LP, Never Felt So Good, has been hailed as “a nine-track blitz filled with churning punk rock, catchy tunes, and a vibe that feels like the sweet spot in a vortex of The Gaslight Anthem, a fuzzed-up amp, and Cage the Elephant – all stitched together with that sweaty, garage band attitude.” They will be on tour in support of their new EP, to be released February 1st, 2020 on New Rivals Entertainment.


More to explore

GLOSSER standing on a checkered floor looking up at the camera.

GLOSSER Releases Deluxe Edition of Debut Record, DOWNER

When D.C. venues were ready to reopen after COVID-19, indie pop duo GLOSSER was ready to perform. The two, Riley Fanning and Corbin Sheehan, formed the band pre-COVID out of a shared aesthetic vision and passion for music storytelling.
Their first album *DOWNER* was released in January 2023, however they have decided to release a [__deluxe version__]( exactly one year later containing four new tracks – two remixes, a reimagined song, and a cover – that they are hoping will give it a second life and allow them to continue performing around the area.

The band explains that they have spent many shows opening for touring bands that traveled through D.C. “We made music and then venues started to open again,” Sheehan says. Rather than having the “typical grungy” D.C. band experience, they uniquely went straight to club shows.

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