February 16, 7 PM
Warner Theater, 513 13th St, NW Washington DC, 20004
Opening the Show Rookie.
CHEAP TRICK may be one of the most covered bands of all time. Since the 70s they’ve been blending elements of pop, punk and even metal in a way that is instantly catchy and recognizable. With timeless classics such as “I Want You to Want Me,” “Surrender,” and the late 80s lighter-waving favorite, “The Flame,” CHEAP TRICK are a musical institution. Anyone familiar with Comedy Central’s The Colbert Report will note that CHEAP TRICK wrote and performed the theme song.
The Capitol Groove Collective, made up of various contributors from Washington DC, Maryland, and Virginia, just released their first collaborative effort in response to a climate of political upheaval, disagreements on basic human rights, police brutality, and a pandemic in the hopes that music will continue to be effective in delivering a message of hope and strength for the people.
Ian Abel (pronounced “able”) is the queer fantasy lovechild of an East Village comic book nerd with a heart of gold. He was brought up in the East Village of NYC, raised on a steady diet of R&B, soul, and alternative rock. As an effeminate little 4th grader, he grooved to Destiny’s Child, bopped to the Spice Girls, and plumbed the depths of angst with Alanis. For well over a decade, Ian has been an artist and performer. He has performed around the world and with greats like Nile Rodgers, Jimmy Fallon, and the SNL band. He has sung onstage at Carnegie Hall, on Chinese national television, and in festivals in Sun Valley, New York, and Edinburgh.
In his newest track he sings about getting over his ex in a tender, uplifting, and powerfully driving ballad “Mirror Mirror,” released today. The confessional, pining track came from an experience Abel had years after his first big breakup while sifting through old emails.
Painting in broad strokes of lush guitars, bright melodies, cinematic and intimate lyrics, and shimmering rhythms, the Virginia duo—Nathan Towles and Cole Young —often pose and ponder a key question during the creative process… “What’s the location?” asks Nathan. “Songs always bring me to a very specific place. So, we try to put listeners in a physical space. Their ears inform where their imaginations go. Maybe you’re cruising on the freeway or walking around during the blue hour. There’s introspection, but it’s communal.”