By Charlie Maybee
Washington, D.C.-based hardcore band, Design Flaw, have released their new single “Silence,” which stands in stark contrast to its musical contents.
Against the ceaseless crashing of drums and cymbals, the echoing guitar feels like a hurricane of ambient sound that could destroy the sturdiest of buildings. The immense and cathartic sound is perfect fuel for the wailing vocals, which feel like distant cries coming over the horizon of a stormy ocean. This is a different kind of power from the typical heavy distortion of rock and its many subgenres; one that harnesses an older, more natural energy and simply puts it into an echo chamber where its turbulence can reign supreme.
This is the kind of music that would tickle fans of alternative metal like Deftones and Glassjaw, where a strange, almost formless energy manages to feel intensely direct and overwhelming. I can imagine the kind of physical chaos a live performance of this song could have on an audience predisposed to being riled by something so primordial.
While I would not immediately suggest this music to those who are faint of heart, I would offer that within the overwhelming tsunami of sound is something purely emotive caught in a feedback loop that continually doubles down on itself. Tenderness and brutality somehow find a home in the composition of this music, to admirable effect.
“Silence” can be streamed on all major streaming platforms including Spotify, Apple Music, YouTube, SoundCloud, and TIDAL.
Charlie Maybee is a dancer, musician, educator, and writer based in Charleston, South Carolina who currently teaches with the Dance Program at the College of Charleston. His primary work as an artist is with his performing collective, Polymath Performance Project, through which he makes interdisciplinary performance art that centers tap dance as the primary medium of expression and research. He also currently plays rhythm guitar for the Charleston-based punk band, Anergy, and releases music as a solo artist under the name Nox Eterna.
When D.C. venues were ready to reopen after COVID-19, indie pop duo GLOSSER was ready to perform. The two, Riley Fanning and Corbin Sheehan, formed the band pre-COVID out of a shared aesthetic vision and passion for music storytelling.
Their first album *DOWNER* was released in January 2023, however they have decided to release a [__deluxe version__](https://open.spotify.com/album/0KLORhtj3ohV4FtbdjoKu5?si=iNZX9fiZSm2M6V8pRdBkow) exactly one year later containing four new tracks – two remixes, a reimagined song, and a cover – that they are hoping will give it a second life and allow them to continue performing around the area.
The band explains that they have spent many shows opening for touring bands that traveled through D.C. “We made music and then venues started to open again,” Sheehan says. Rather than having the “typical grungy” D.C. band experience, they uniquely went straight to club shows.